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Press Release ARTIST
BROOKE MULLINS DOHERTY
DEBUTS ‘PORTALS AND PATHS’ EXHIBITION Featuring Site-Specific
Sculptures and Contemporary Drawing
Series June
1, 2009, MA – The 80 Border Street Cultural Exchange Center in The
sculpture portion of Doherty’s exhibition “Portals and Paths” features
several
site-specific sculptural installations made to appear as if they grow
from the
Center’s architecture. Her creations emulate a scene from a science
fiction
movie – revealing soft, organic forms of indeterminate origin bulge
from
windows, ceilings, and walls. Strategically placed to allow sunlight to
act as
a “Portal” to the heavens through the forms, the changing light causes
them to
pulse with the movement of the clouds and sun.
“Paths”
refer to her drawing series; many trace the path of a single line as
they
explore the passage of time and cycles of growth and decay. Using a
variety of
materials such as pencil, ink, enamel, and paint pen, Doherty’s
drawings
resemble imaginary plots of data, magnetic field lines, geological
strata, and
microscopic cross-sections of cells and organs. Doherty utilizes all of
these
influences in an often-psychedelic way. “Someone
recently told me that most adults don’t daydream anymore. I daydream
most of
the time I’m making art, and I would love for my work to serve as
vehicles for
other people’s daydreams too,” says Doherty continuing, “When
daydreaming, your
mind is making so many unusual connections. In addition to adding color
to
life, daydreaming can help you develop greater understanding and feel
more
connected to your world.”
Although
Doherty doesn’t use many organic materials, she says her creative
process is
very organic. Her preferred materials
are non-traditional: to make her lightweight, flexible and translucent
sculptures, she uses plastic, wire, and fabric as well as a variety of
other
media. “I
rarely know exactly what I’m going to make when I’m getting started. My
process
is much more experimental,” remarks Doherty, “I think of what I do as
akin to spider
engineering. The spider doesn’t necessarily have a master plan, but she
knows
how to build in response to stresses on the web, and she ends up making
a
perfect web for the particular environment each time. A spider’s work
is also
site-specific.”
Originally
from “Portals
and Paths” will be on display at |